I quickly began to realize that I could transform this weird urge into what I knew best: music. I composed many pieces of music that contained palindromic structures, phrases, and rhythmic sequence. This was extremely satisfying to know that I finally had some control over it and that I could even create it and destroy it at my own will.
I have scanned and uploaded a copy of the only score I have to the first palindromic piece I ever composed (knowingly anyway). Below is the score and a link to the audio I recorded for it. It was composed and performed/recorded around 2003. The piece is for 4 guitars or any instrument capable of performing these pitch sets. It also follows a very traditional and basic Ghanaian rhythmic formula rather strictly in each part:
Spatial

The palindromic idea lies in the form of the piece. As you can see from the score, each instrument has a certain "cycle" it performs for a certain amount of time. The palindrome can be seen in the visual I have created within the score representing the form of the piece. There is also a level of symmetry in the phrases as well, though the melodic and rhythmic content are not very symmetrical. I have attempted to describe the performance instructions as clearly as possible in the score you see above.
Writing music such as this helped me realize that creating a single page score was very useful, practical, and logical. It also helped me realize that palindromes can be heard as well as read and spoken.
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